Play Along Piano

Tags

Baroque

ChurchOrganist

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	4	4	100%
Bassoon	18	0	5	4	92%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	4	4	100%
Bassoon	18	5	4	92%
Violins 1	16	5	7	79%
Violins 2	16	6	5	75%
Timpani	2	0	6	71%
Trumpets 1 amp; 2	11	1	7	69%
Oboe 1 Oboe 2	11	4	7	48%
	11	4	6	58%
Violas	11	3	5	58%
Alfred	10	3	7	52%
Alto	6	1	7	20%
Bass	6	2	7	20%
Soprano	7	2	6	20%
Tenor	5	1	7	20%

Venice

kozmaf27

1:13	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

Fugue sur la Trompette

Nednedflanders

1:18	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	25	0	6	8	100%
Viola	19	0	4	8	84%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	25	6	8	100%
Viola	19	4	8	84%
Violin	13	2	8	68%
	13	3	8	68%

HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744

edward.maurath

1:18	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
Cello	15	0	3	3	100%
NITOCRIS	13	0	4	5	65%
Daniel	11	0	3	3	35%

Choral prelude: Angelus Pastoribus

Piotr Tomasz Harasimiuk

1:12	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		18	0	3	5	94%
		14	0	1	4	78%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		18	0	3	5	94%
		14	0	1	4	78%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

Fugue no. 1

Shinon

1:09	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	3	8	100%
		12	1	0	6	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	3	8	100%
		12	1	0	6	52%

BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort

edward.maurath

1:12	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
	9	0	2	4	67%
Evangelist	17	0	6	3	73%
Organ Continuo	10	9	2	6	33%
	8	0	2	6	33%
	8	0	2	6	33%
Jesus	12	0	2	4	33%

HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"

edward.maurath

1:29	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
Harp	15	17	7	4	55%
	15	15	12	4	57%
Harpsichord	10	11	3	3	48%
	15	13	8	3	52%
Cornelia	12	0	4	4	48%

HWV56N38Z2 - How beautiful are the feet

edward.maurath

1:17	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hpsi RH	23	68	6	3	100%
HPSI LH	18	24	8	3	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hpsi RH	23	68	6	3	100%
HPSI LH	18	24	8	3	98%
Vcl	17	0	4	4	96%
Alt	12	0	2	5	63%
Sop	12	0	2	5	58%
Vln 1	11	0	2	4	35%
Vla	8	0	2	3	29%
Violoncellos	11	0	1	3	27%
Vln 2	7	0	1	4	27%
VNE	11	0	1	3	27%